• Swann
    Rare & Important Travel Posters
    November 25, 2025
    Swann, Nov. 25: James Northfield. Australia / Koala. 1931. $800 to $1,200.
    Swann, Nov. 25: Mitsuharu Horiuchi. The North China Railway Co. Circa 1939. $3,000 to $4,000.
    Swann, Nov. 25: Cunard [Slavonia] / New York Mediterranean. Circa 1905. $3,000 to $4,000.
    Swann
    Rare & Important Travel Posters
    November 25, 2025
    Swann, Nov. 25: White Star Line / Types of World Famous Liners. Circa 1927. $2,500 to $3,500.
    Swann, Nov. 25: Visit the USSR. 1958. $1,000 to $1,500.
    Swann, Nov. 25: Stefan Norblin. Wilno. Circa 1930. $800 to $1,200.
    Swann
    Rare & Important Travel Posters
    November 25, 2025
    Swann, Nov. 25: Samuel Henchoz. Villars Chesières Suisse. 1948. $800 to $1,200.
    Swann, Nov. 25: Roger Broders. Marseille / Porte de l'Afrique du Nord. 1929. $5,000 to $7,500.
    Swann, Nov. 25: Arthur Vivian Farrar. Time is Money / Underground. Gouache maquette. 1930. $1,000 to $1,500.
    Swann
    Rare & Important Travel Posters
    November 25, 2025
    Swann, Nov. 25: Hawaii / Paradise of the Pacific. 1908. $800 to $1,200.
    Swann, Nov. 25: David Klein. New York / Fly TWA. 1956. $7,000 to $10,000.
    Swann, Nov. 25: Leslie Ragan. The New 20th Century Limited / New York Central System. 1939. $15,000 to $20,000.
  • Sotheby’s
    A Worldwide Grand Tour:
    The Sven A. Behrendt Collection
    2 December 2025
    Sotheby’s, Dec. 2: Isaac Newton. The mathematical principles of natural philosophy..., London, 1729, first edition in English, 2 volumes, contemporary calf. £35,000 to £40,000.
    Sotheby’s, Dec. 2: Henri Abraham Chatelain. Atlas historique, Amsterdam, 1719-1721, 7 volumes, contemporary calf gilt. £7,000 to £9,000.
    Sotheby’s, Dec. 2: Sir Marc Aurel Stein. Serindia. Detailed Report of Explorations in Central Asia and Westernmost China, Oxford, 1921, 6 volumes, original cloth. £7,000 to £10,000.
    Sotheby’s, Dec. 2: Joseph Stöcklein. Allerhand... Reis-Beschreibungen, 1726-55, 32 parts in 5 volumes, contemporary pigskin. £5,000 to £6,000.
    Sotheby’s, Dec. 2: Rudyard Kipling. The Complete Works in Prose and Verse, 1937-39, 35 volumes, publisher's tan morocco gilt, first volume signed by the author. £4,000 to £6,000.
  • ALDE, Dec. 3:Les Chants de Maldoror, Paris, Albert Skira, 1934. €30,000 to €40,000.
    ALDE, Dec. 3:Braque le Patron, Paris, Fernand Mourlot, 1945. €8,000 to €10,000.
    ALDE, Dec. 3:Le Soleil des eaux, Paris, Matarasso, 1949. €3,000 to €4,000.
    ALDE, Dec. 3:Des Hirondelles et de quelques oiseaux connus, méconnus, ou inconnus décrits par le Comte de Buffon et Dado, Fontfroide, 1988. €3,000 to €4,000.
    ALDE, Dec. 3:
    ALDE, Dec. 3:Ne coupez pas mademoiselle ou les erreurs des P.T.T., Paris, Galerie Simon, 1921. €5,000 to €6,000.
    ALDE, Dec. 3:Les Pélican, Paris, Galerie Simon, 1921. €4,000 to €5,000.
    ALDE, Dec. 3:Quatre histoires de blanc et noir, Paris, s.n., 1926. €15,000 to €20,000.
    ALDE, Dec. 3:Le Chef-d'œuvre inconnu, Paris, Ambroise Vollard, 1931. €5,000 to €6,000.
    ALDE, Dec. 3:Hommage à Pablo Picasso, Paris, s.n., 1966. €8,000 to €10,000.
    ALDE, Dec. 3:Qu'est-ce que Thérèse ? C'est les maronniers en fleurs, Paris, Le Soleil Noir, 1974. €5,000 to €6,000.
    ALDE, Dec. 3:Traité des Excitants Modernes, Paris, Yves Rivière, 1989. €6,000 to €8,000.
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Rare Book Monthly

Articles - October - 2024 Issue

The Internet Archive Loses Legal Appeal. 500,000 books Will No Longer Be Available Free to the Public

The Internet Archive loans books free.

The Internet Archive loans books free.

The Internet Archive has lost its appeal of a successful lawsuit brought against it by a group of book publishers. The subject was the IA's Free Digital Library. The Free Digital Library loans electronic copies of books over the internet. This is no small hometown library. According to the Second Circuit Appeals Court that issued the judgment, it loans about 70,000 books a day, 25 million a year, to 5.9 million users. Online is the only way a library could operate with such volumes. As a result of this decision, over 500,000 books are no longer available through the Free Digital Library.

 

The books they loan aren't typical e-books, created electronically by the publisher. What they loan are scanned copies they have made of books they own, or are owned by related parties and contributors. They possess the physical copy, but they have to create a digital version to loan it online to anyone in the world.

 

The nub of this dispute is that over 3.2 million of these digital copies are of copyrighted books. It is well established that they can loan the physical books they possess. This is long established law. What's known as the “First Sale” doctrine is what lets you loan, sell, or give away any legally purchased book you have. This is what libraries do. However, copying a copyrighted book is in most cases illegal. That's what copyrights do. The question was where in that spectrum does the Free Digital Library fall.

 

The way the law works is it outlaws any sort of copying of books but then creates a group of exceptions called “Fair Use.” There are four tests used to determine whether use is “fair use,” not necessary for us to go into details now. Some obvious examples of fair use are book reports, reviews, scholarly or less-than scholarly quotes from a book. Even some complete copying may be allowed, such as making a personal photocopy of a book you own that is falling apart and hard to read anymore. An obvious case of not being Fair Use would be to copy a book and sell it.

 

While there is balancing of the four tests, the major issue and the one the court focused on is whether the new work is “transformative.” Again simplifying a bit, “transformative” means does it create something new and different. That is why making photocopy and selling it is not allowed; it is essentially the same thing, while book reviews and quoted sections are clearly something different. It has been transformed.

 

On the surface, it doesn't look like the IA transformed it at all in that it is the exact same text. However, the IA argued that converting it to an electronic file is transformative, it is something different, but the court said it is still the same book and copyrights apply to ebooks too since so much of the trade is now conducted in electronic versions. The IA countered that making the book and the knowledge therein available to a wide audience the books could never reach before was transformative, but again the court said that was not the right kind of transformation. While the court closely examined the four factors in its opinion, reading it one gets the impression the judges had made up their minds on a common sense basis – allowing the IA to copy and distribute free copies to the the world would eviscerate if not destroy the value of copyright protection to the authors and publishers. They can't compete against free, and no financial incentive means no more new books.

 

On the other hand, 300 authors signed a letter in favor of the IA and some scholars made very strong arguments. They pointed out that copyright laws were not passed to protect the financial interests of authors. They were passed to increase the amount and reach of knowledge, get as much information available to as many people as possible. However, financial incentives get authors to write and publish more, thereby increasing knowledge. My mother having written schoolbooks, I can attest that this was her primary incentive, additional income for the family. She wouldn't have done it free.

 

On the other hand, what the IA has done is take books that may be unavailable at any library within a reasonable distance of you, if available at all, and enable you to read them. There is little doubt that they have increased the spread of knowledge immensely, the intention of copyright law. The reality is that copyrights increase the creation of knowledge, but decrease its availability to many people.

 

A reasonable change, although the devil is in the details of implementing it, would be to place books in the public domain where anyone can access them if they have not been reprinted in some number of years. The reality is most books are printed in an edition or two and never printed again. Within a few years, the royalties disappear. Nonetheless, copyright terms have been extended several times, and now typically run around a century. My mother wrote a biography of Isaac Newton for middle school children. For a decade it brought in some nice royalties, but after that they dried up. It is extremely unlikely it will ever be printed again. It has been almost 40 years since she received her last royalty check, but for another 50 years it will still be copyright protected, meaning almost no one will be able to access it. The law will “protect” her heirs from nonexistent losses. Meanwhile, her book has effectively ceased to exist. This is a case where copyright law is reducing the spread of knowledge while providing no incentive at all for anyone to create anything.


Posted On: 2024-10-01 04:20
User Name: keeline

The large-scale digitization of books and magazines is most certainly transformative. It has changed the way that research in many fields has been done in the past 30 years. IA is just one player in this space. Google Books (also a target of of publishers and author guilds ganging up with lawsuits) is another.

It is one thing to have a Kindle copy of A book and be able to read it and even search it. It is something entirely different to be able to take hundreds or thousands of books in a given genre and be able to search them. Maybe someone is interested in which books in that genre mention a term like "automat", "autogyro", "macadam", "Halloween", or a multi-word term like "state's rights." A term like macadam is largely unknown today though there is a Wikipedia page on it. Yet it is used in a surprisingly large number of juvenile series books.

I don't know how well the IA attorneys and the amicus presentations covered this type of a transformative aspect.

Current copyright terms, extended twice by Congress at the behest of publishers and media companies are too long. 95 years for a work for hire is considerably longer than the rules in force when most of these works were created.

From 1909 to 1977 the longest an author or publisher could expect a work to have their limited monopoly called copyright was 56 years. The first term was 28 years and only if the owner renewed it by filling out a form (correctly) and paying a fee could they enjoy 28 years more. The Stanford Copyright Renewal Database, based on the work of a Google engineer, shows works from 1923 to 1963 that were renewed. Works that are absent are likely public domain because they were not renewed.

Something like computer software also gets 95 year single-term protection as a work for hire. This will outlast the hardware that can run it by about 75 years. Just how much do we need to protect some application like WordStar from the 1970s or 1980s today? Yet, instead of making software last about as long as patents (about 20 years) they put it on a near infinite term of 95 years.

A very large number of books IA has scanned have NO publisher-offered print or electronic copy. I grant that copyright is the right not to copy as well. But we take this to a state of absurdity with orphan works where you can't find the REAL copyright holder (some heir often) of a work created 70 or more years ago after 3 or more generations.

The intent of copyright was never to make five generations of monopoly for something that someone typed up one day, no matter how great or banal it might be.

James D. Keeline


Rare Book Monthly

  • Ketterer Rare Books
    Auction November 24th
    Ketterer, Nov. 24: M. Waldseemüller, Ptolemaeus auctus restitutus, 1520. Est: € 250,000
    Ketterer, Nov. 24: I. Newton, Philosophiae naturalis principia mathematica, 1687. Est: € 100,000
    Ketterer, Nov. 24: L. Feininger, Collection of 33 comic strips, 1906-1907. Est: € 8,000
    Ketterer Rare Books
    Auction November 24th
    Ketterer, Nov. 24:H. Schedel, Liber chronicarum, 1493. Est: € 30,000
    Ketterer, Nov. 24: K. Bodmer, Personal Sketchbook with ca. 80 pencil drawings. Est: € 25,000
    Ketterer, Nov. 24: Collection of 18 postcards “Bauhaus-Ausstellung Weimar 1923.“ Est: € 40,000
    Ketterer Rare Books
    Auction November 24th
    Ketterer, Nov. 24: Latin Book of hours on vellum, 1505. Est: € 12,000
    Ketterer, Nov. 24: G. Shaw & F. P. Nodder, Vivarium naturae, 1789-1813. Est: € 10,000
    Ketterer, Nov. 24: Antoine de Saint-Exupéry, The Little Prince, 1943. First American edition. Est: € 6,000
    Ketterer Rare Books
    Auction November 24th
    Ketterer, Nov. 24: Ibn Butlan, Tacuini sanitatis, 1531. Est: € 8,000
    Ketterer, Nov. 24: Hermann Hesse, Casa Camuzzi in Montagnola, 1927. Est: € 12,000
    Ketterer, Nov. 24: Pop Art portfolio Reality & Paradoxes, 1973. Est: € 12,000
  • Doyle
    Rare Books, Autographs & Maps
    November 25
    Doyle
    Rare Books, Autographs & Maps
    November 25
    Doyle
    Rare Books, Autographs & Maps
    November 25
    Doyle
    Rare Books, Autographs & Maps
    November 25
    Doyle
    Rare Books, Autographs & Maps
    November 25
    Doyle
    Rare Books, Autographs & Maps
    November 25
    Doyle
    Rare Books, Autographs & Maps
    November 25
    Doyle
    Rare Books, Autographs & Maps
    November 25

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