Rare Book Monthly

Articles - October - 2024 Issue

The Internet Archive Loses Legal Appeal. 500,000 books Will No Longer Be Available Free to the Public

The Internet Archive loans books free.

The Internet Archive loans books free.

The Internet Archive has lost its appeal of a successful lawsuit brought against it by a group of book publishers. The subject was the IA's Free Digital Library. The Free Digital Library loans electronic copies of books over the internet. This is no small hometown library. According to the Second Circuit Appeals Court that issued the judgment, it loans about 70,000 books a day, 25 million a year, to 5.9 million users. Online is the only way a library could operate with such volumes. As a result of this decision, over 500,000 books are no longer available through the Free Digital Library.

 

The books they loan aren't typical e-books, created electronically by the publisher. What they loan are scanned copies they have made of books they own, or are owned by related parties and contributors. They possess the physical copy, but they have to create a digital version to loan it online to anyone in the world.

 

The nub of this dispute is that over 3.2 million of these digital copies are of copyrighted books. It is well established that they can loan the physical books they possess. This is long established law. What's known as the “First Sale” doctrine is what lets you loan, sell, or give away any legally purchased book you have. This is what libraries do. However, copying a copyrighted book is in most cases illegal. That's what copyrights do. The question was where in that spectrum does the Free Digital Library fall.

 

The way the law works is it outlaws any sort of copying of books but then creates a group of exceptions called “Fair Use.” There are four tests used to determine whether use is “fair use,” not necessary for us to go into details now. Some obvious examples of fair use are book reports, reviews, scholarly or less-than scholarly quotes from a book. Even some complete copying may be allowed, such as making a personal photocopy of a book you own that is falling apart and hard to read anymore. An obvious case of not being Fair Use would be to copy a book and sell it.

 

While there is balancing of the four tests, the major issue and the one the court focused on is whether the new work is “transformative.” Again simplifying a bit, “transformative” means does it create something new and different. That is why making photocopy and selling it is not allowed; it is essentially the same thing, while book reviews and quoted sections are clearly something different. It has been transformed.

 

On the surface, it doesn't look like the IA transformed it at all in that it is the exact same text. However, the IA argued that converting it to an electronic file is transformative, it is something different, but the court said it is still the same book and copyrights apply to ebooks too since so much of the trade is now conducted in electronic versions. The IA countered that making the book and the knowledge therein available to a wide audience the books could never reach before was transformative, but again the court said that was not the right kind of transformation. While the court closely examined the four factors in its opinion, reading it one gets the impression the judges had made up their minds on a common sense basis – allowing the IA to copy and distribute free copies to the the world would eviscerate if not destroy the value of copyright protection to the authors and publishers. They can't compete against free, and no financial incentive means no more new books.

 

On the other hand, 300 authors signed a letter in favor of the IA and some scholars made very strong arguments. They pointed out that copyright laws were not passed to protect the financial interests of authors. They were passed to increase the amount and reach of knowledge, get as much information available to as many people as possible. However, financial incentives get authors to write and publish more, thereby increasing knowledge. My mother having written schoolbooks, I can attest that this was her primary incentive, additional income for the family. She wouldn't have done it free.

 

On the other hand, what the IA has done is take books that may be unavailable at any library within a reasonable distance of you, if available at all, and enable you to read them. There is little doubt that they have increased the spread of knowledge immensely, the intention of copyright law. The reality is that copyrights increase the creation of knowledge, but decrease its availability to many people.

 

A reasonable change, although the devil is in the details of implementing it, would be to place books in the public domain where anyone can access them if they have not been reprinted in some number of years. The reality is most books are printed in an edition or two and never printed again. Within a few years, the royalties disappear. Nonetheless, copyright terms have been extended several times, and now typically run around a century. My mother wrote a biography of Isaac Newton for middle school children. For a decade it brought in some nice royalties, but after that they dried up. It is extremely unlikely it will ever be printed again. It has been almost 40 years since she received her last royalty check, but for another 50 years it will still be copyright protected, meaning almost no one will be able to access it. The law will “protect” her heirs from nonexistent losses. Meanwhile, her book has effectively ceased to exist. This is a case where copyright law is reducing the spread of knowledge while providing no incentive at all for anyone to create anything.


Posted On: 2024-10-01 04:20
User Name: keeline

The large-scale digitization of books and magazines is most certainly transformative. It has changed the way that research in many fields has been done in the past 30 years. IA is just one player in this space. Google Books (also a target of of publishers and author guilds ganging up with lawsuits) is another.

It is one thing to have a Kindle copy of A book and be able to read it and even search it. It is something entirely different to be able to take hundreds or thousands of books in a given genre and be able to search them. Maybe someone is interested in which books in that genre mention a term like "automat", "autogyro", "macadam", "Halloween", or a multi-word term like "state's rights." A term like macadam is largely unknown today though there is a Wikipedia page on it. Yet it is used in a surprisingly large number of juvenile series books.

I don't know how well the IA attorneys and the amicus presentations covered this type of a transformative aspect.

Current copyright terms, extended twice by Congress at the behest of publishers and media companies are too long. 95 years for a work for hire is considerably longer than the rules in force when most of these works were created.

From 1909 to 1977 the longest an author or publisher could expect a work to have their limited monopoly called copyright was 56 years. The first term was 28 years and only if the owner renewed it by filling out a form (correctly) and paying a fee could they enjoy 28 years more. The Stanford Copyright Renewal Database, based on the work of a Google engineer, shows works from 1923 to 1963 that were renewed. Works that are absent are likely public domain because they were not renewed.

Something like computer software also gets 95 year single-term protection as a work for hire. This will outlast the hardware that can run it by about 75 years. Just how much do we need to protect some application like WordStar from the 1970s or 1980s today? Yet, instead of making software last about as long as patents (about 20 years) they put it on a near infinite term of 95 years.

A very large number of books IA has scanned have NO publisher-offered print or electronic copy. I grant that copyright is the right not to copy as well. But we take this to a state of absurdity with orphan works where you can't find the REAL copyright holder (some heir often) of a work created 70 or more years ago after 3 or more generations.

The intent of copyright was never to make five generations of monopoly for something that someone typed up one day, no matter how great or banal it might be.

James D. Keeline


Rare Book Monthly

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    Sotheby’s, July 7: Ludwig van Beethoven. Autograph sketches for the overture "Die Weihe des Hauses", op.124, [1822], UNPUBLISHED. £150,000 to £200,000.
    Sotheby’s, July 7: Jane Austen. Pride and Prejudice, 1813, first edition, 3 volumes, contemporary half calf. £50,000 to £70,000.
    Sotheby’s, July 7: Walt Whitman. Leaves of Grass, Brooklyn, 1855, first edition, first issue, original green cloth, the Doheny copy. £50,000 to £70,000.
    Sotheby’s, July 7: Binding—Sangorski & Sutcliffe—Omar Khayyam. Rubaiyat, London, 1872, third edition, in a magnificent jewelled Peacock binding. £15,000 to £20,000.
    Sotheby’s, July 7: George Eliot. Middlemarch, Edinburgh and London, 1871, first edition in the original parts. £20,000 to £30,000.
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    Fine Printing & Private Press books, the collection of the late David Chambers
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    Forum, July 9: Hassall (Joan) A large collection of over 300 original woodblocks of engravings for various books, v.d., with Hassall's engraver's glass water-globe (Qty) - Est. £10,000-15,000
    Forum, July 9: Eragny Press.- [Bradley (Katherine Harris) & Edith Emma Cooper], "Michael Field." Whym Chow, Flame of Love, one of only 27 copies, inscribed by Bradley, the rarest book from the press, 1914. - Est. £3,000-4,000
    Forum, July 9: [Moore (Thomas Sturge)] [Wood Engravings], 71 wood-engravings printed by David Chambers from the original blocks, the only set on Japanese Hosho paper, from an edition of 5 sets, [1970]. - Est. £3,000-4,000
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    Forum, July 9: La Fontaine (Jean de) Contes et Nouvelles en vers, 2 vol., engraved plates after Eisen, fine early 19th century blue morocco, gilt, by Bradel l'ainé, Amsterdam [Paris], 1762. - Est. £2,000-3,000
    Forum, July 9: Erotica.- Prostitution.- Pretty Women of Paris (The); Their Names and Addresses, Qualities and Faults..., [Paris], privately printed at the Press of the Prefecture de Police, 1883. - Est. £3,000-4,000
    Forum, July 9: Vale Press.- Ricketts (Charles) & Lucien Pissarro. De la Typographie et de l'Harmonie de la Page Imprimée…, [one of 216 copies], bound in dark blue morocco tooled in gilt, by Sarah T.Prideaux, 1898. - Est. £1,000-1,500
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    Forum, July 9: Martin (John) Illustrations of the Bible, complete set of 20 mezzotints, good impressions, rarely found in early states, [c.1831-1835]. - Est. £1,000-1,500
    Forum, July 9: Golden Cockerel Press.- Four Gospels of the Lord Jesus Christ (The), one of 500 copies, Mary Gill's copy, Waltham St. Lawrence, 1931 with a signed proof of engraving on japon numbered 10/10 (2) - Est. £5,000-7,000
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    Freeman’s, June 30. One of the Earliest Printed Announcements of American Independence, in the Exceedingly Rare Original Wrappers, 1776. $10,000-15,000.
    Freeman’s, June 30. "The Two Big Guns of the N.Y. Yanks": A Striking Type 1 Press Photograph of Lou Gehrig's Hands. $8,000-12,000.
    Freeman’s, June 30. A Unique Contemporary Manuscript Account of Joseph Smith's Final Words to His Followers, the Day Before his Violent Death. $8,000-12,000.
    Freeman’s, June 30. The State of Minnesota Officially Certifies the Fourteenth Amendment to the Constitution Of the United States. $8,000-12,000.
    Freeman’s, June 30. Extraordinarily Large Manuscript Petition Signed by a Who's Who of Colonial New York to Queen Anne from the Colony of New York. $8,000-12,000.
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    Freeman’s, June 30. A Call to Arms in the Months Following the Declaration of Independence: An Early Continental Army Recruitment Poster. $6,000-9,000.
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