Rare Book Monthly

Articles - November - 2025 Issue

Rookie on the Auction Beat

One of the hazards of the auction beat is the writer is often mistaken for a bot, AI or accused of scraping.

One of the hazards of the auction beat is the writer is often mistaken for a bot, AI or accused of scraping.

If you are a regular reader of RBH Monthly you’ve noticed we have been expanding our services. We’ve increased our auction coverage both for free readers and paid subscribers. Every Sunday we send a free report on what transpired internationally during the prior week and what is coming up next in the future. It is comprehensive and increasingly popular. Every week RBH archives all the results from 40 to 100+ auctions. We now have over 15 million transactions in our database.

 

(NB If you don’t already get it - sign up for it for the free weekly report at https://www.rarebookhub.com/pages/become_member  Click on the FREE section at the far left of the screen and it will start arriving on the next Sunday. If you are a subscriber you’ll get it automatically and the links will all work once you LOG INTO YOUR ACCOUNT.)

 

In line with weekly auction reports, this spring we also began to expand our social media presence. I got the nod to keep tabs on the auction highlights of each week. 

 

As a longtime writer I’ve had many “beats” in the past. I’ve covered local politics, land use, health, popular culture and of course - books. I got my first national byline in 1968. More than 50 years later I am a rookie on the auction beat, and a novice social media influencer.

 

As a semi-retired antiquarian bookdealer I have the standard humanities credentials: a degree in graphic arts, years of working in bookstores, including my own, my parents and others. Add stints over the years in fine libraries, archives, museums and special collections and I’ve come out with expensive tastes and a pretty solid general knowledge of older books and paper collectibles. However, I’m still a newbie in the world of “Going, Going,  Gone.” As for “followers,” I think you can still count them on the fingers of two hands.

 

So what have I learned? For starters I’ve realized that while many of those auctions sell antiquarian paper, when it comes to serious money, the real action is in fine arts, comics, sports cards and memorabilia, early computer ephemera, Pokemon and other gaming items, as well as coins and currency. 

 

The biggest player, especially in comics, pop culture & entertainment, posters, animation, sports and trading cards is Heritage. Each week the Dallas firm moves lots of merchandise, and those results all show up in our data base.

 

However our primary focus continues to be rare books, prints, maps, photos, ephemera, manuscripts, documents and other scarce works on paper. These still sell; some go for six and seven figures. Even so, for the most part, they tend to be pretty far down the food chain.

 

When I started I tried to look at everything. When that proved impossible, I tried to get a feel for the general sweep of things. About a month in, I stopped tracking the outcomes for million dollar baseball cards, and focused primarily on lots that were more in keeping with our antiquarian interests.

 

As for social media, Reddit was my vehicle of choice. Reddit has 110.4 million daily active users according to Backlinko. In Sept. 2025 the platform had 416.4 million weekly active users. Reddit is one of the most visited websites globally and has recently become the second most visited site in the U.S.

 

Statistics aside, I found that it was far more interesting and diverse than Facebook and easier to reach larger numbers than any of the other popular platforms. The Reddit demographic leans toward younger males interested in video games, prankish humor, and niche areas like crypto-currency. As a group they’re liberal, have a pretty good grasp of technology and there are more than a few who hold high paying jobs in business, computing and similar fields. 

 

Spending more time on the feed I learned words like incel (an involuntarily celelibate male), and abbreviations like AMA (Ask Me Anything). I lurked around the edges of sub-reddits related to art/books/history/jokes/politics/photography/oldmaps and others in a similar vein. Some subs like “r/Rarebooks” have only about 50k members.Others like “r/Astronmy has over three million. In the more generic r/Science there are more than 34 million users. Bigger doesn’t always mean better, but getting a post accepted in a sub with many readers really does boost the engagement.

 

The first thing to know is each one of these subs have their own rules and you have to read and follow them. In the beginning I missed that point and am now banned forever in at least a couple of places. The next thing to know is each sub has volunteer moderators (the mods) who decide what does and doesn’t go up, and these folks can be a little peckish at times. There are also many operations performed by bots, and even though they call them “large language trained” for the purpose of the antiquarian trade they are uniformly illiterate and at best a work-around.

 

Speaking of literacy it’s interesting to note that while Redditors are indeed interested in what’s selling at auction, what they are reading themselves is pretty eclectic and mostly contemporary. Favorite authors, in no particular order, include Stephen King, RR Tolkien (who also has his own sub), Frank Herbert, Phillip K. Dick, Cormac McCarthy (also with his own sub and legions of avid, even obsessive fans). There are many of the standard modern and classical authors who get the nod, including Jane Austen who has her own (small) sub. If there’s one genre that fascinates them and where there are many serious readers it's r/Sciencefiction with a respectable 281k signed up. 

 

One bookish post that drew good numbers was a nice first edition of I,Robot with its original striking red dust jacket. Another was a group of Lovecraft firsts in Arkham editions that elicited moans and groans about the prices - “too high,” and quibbled that this was “not even Lovecraft’s best work.” 

 

But not everyone is so sophisticated; many who frequent book related subs are seldom aware of how to tell a first edition, what the information on the copyright page means, what is a point of issue, and all the general knowledge serious book people usually pick up early on. 

 

What finds a receptive audience on social media is very different from what sells at auction. The high end art market is getting increasingly squishy. In May a Giacometti bronze bust estimated at $70 million stalled at $64 million and was pulled from auction because it did not meet the seller's undisclosed reserve. The fall out from that event sent a shudder through the upmarket sellers. 

 

In October a piece in Artnet suggested that the new sweet spot in the big ticket art market is now in the $1 million to $10 million range. That’s still a lot of money, but it’s not $70 million.

 

One thing about the auction art market at the high end is it can be repetitive. The same names appear over and over, and often offer lesser examples, especially works by Warhol, Picasso, Basquiat, Hockney, Harring, Rauschenberg, Lichtenstein and sometimes Ruscha.

 

In only a short time on the auction beat I’ve found there are lots of great houses outside North America. London based Christies has been having some really awesome sales, especially in photography. Bonhams, also based in London, is always worth a look. Lyon and Turnbull in Scotland recently sold a wonderful lot of AA Milne firsts. I loved the Irish material offered in October by Fonsie Mealy Auctioneers, a family-run auction house in Ireland. There’s always a good selection at Alde’s in Paris.

 

I’ve become a fan of the Bogota Auction in Colombia, and learned the hard way how to spell the country’s name. (Hint - there’s no U.)  I was called an “idiota” and an “imbécil” when I got it wrong, not once but a couple times. It took a humble apology (in English) and lavish contrition to set that one right. Did you know when people laugh at you in Spanish they spell it “Ja-Ja-Ja-Ja?” 

 

One of the most common hazards of the beat is to be mistaken for a bot, AI or worse yet a scraper. And then there’s just plain beginner dumb: this week I learned that the reason so many Italian firms have ”casa d’aste” in their name is because it means “auction house” in Italian.

 

I’m impressed with the number of single subject or specialty auctions I’ve been seeing. They don’t always bring the highest prices or draw the biggest crowds, but there have been some really interesting special events. In October SD - Oslo held a sale of Nordic manuscripts. The same month Dominic Winter (UK) hosted an all Beatrix Potter event. Here in the US, Fleischer’s had three days of Americana with an emphasis on the Civil War. The first day was all Confederate photography. It was stunning: Fewer than fifty lots were offered and each one sold. Those sales all had well known material, but there have also been interesting and relatively high value sales in such niche categories such as unusual snooker ephemera and rare historical material on fishing flies.

 

I think the most information specific exchange I’ve had since I started posting was related to a 19th century Japanese drawing of a banquet given by the Japanese for US naval officer Commodore Perry on his historic diplomatic mission to open Japan to the West. In the picture the Americans don’t look very happy about the menu. I wasn’t quite sure where to put it and ended up posting In r/Sushi (561k members). There, one of the people who responded not only produced a higher resolution scan but also described precisely what the Americans were eating. Learn something new every day.

 

Antiquarian cookbooks, as well as food and beverage have many followers, so do maps and manuscripts. There is substantial interest in all kinds of ancient and early science and a huge group following computers and artificial intelligence. In June Alan Turing's papers sold at Hansons Auctioneers for a record £465,400. According to coverage at the time they just narrowly missed being shredded.

 

Some of the quirkier things that have come through the weekly results included an antique pencil made by the Thoreau Company, in Concord, MA. The catalog description said the company was owned by the family of Henry David Thoreau of Walden Pond fame, and in oblique terms implied the pencil  might somehow actually have been made by the author. It sold for $6,875 at Heritage in September. (Yes, there is a “pencils” sub. It has 28k members). I was also fascinated by a 1950s vintage kid’s Atomic Energy kit said to feature real radioactive material and cataloged as “the most dangerous toy ever made.”

 

And so it goes. 

 

Once again, don’t forget to sign up for our weekly auction results summary. It includes everything that came though the American and international firms during the prior week ending on a Friday. It comes out on Sunday night and it’s free, as is the calendar of auctions scheduled for the coming week.

 

We hope you enjoy our expanded auction coverage and urge you to communicate your comments, feedback and reactions to auctionnews2025@gmail.com 

 

Rare Book Monthly

  • ALDE, Dec. 3:Les Chants de Maldoror, Paris, Albert Skira, 1934. €30,000 to €40,000.
    ALDE, Dec. 3:Braque le Patron, Paris, Fernand Mourlot, 1945. €8,000 to €10,000.
    ALDE, Dec. 3:Le Soleil des eaux, Paris, Matarasso, 1949. €3,000 to €4,000.
    ALDE, Dec. 3:Des Hirondelles et de quelques oiseaux connus, méconnus, ou inconnus décrits par le Comte de Buffon et Dado, Fontfroide, 1988. €3,000 to €4,000.
    ALDE, Dec. 3:
    ALDE, Dec. 3:Ne coupez pas mademoiselle ou les erreurs des P.T.T., Paris, Galerie Simon, 1921. €5,000 to €6,000.
    ALDE, Dec. 3:Les Pélican, Paris, Galerie Simon, 1921. €4,000 to €5,000.
    ALDE, Dec. 3:Quatre histoires de blanc et noir, Paris, s.n., 1926. €15,000 to €20,000.
    ALDE, Dec. 3:Le Chef-d'œuvre inconnu, Paris, Ambroise Vollard, 1931. €5,000 to €6,000.
    ALDE, Dec. 3:Hommage à Pablo Picasso, Paris, s.n., 1966. €8,000 to €10,000.
    ALDE, Dec. 3:Qu'est-ce que Thérèse ? C'est les maronniers en fleurs, Paris, Le Soleil Noir, 1974. €5,000 to €6,000.
    ALDE, Dec. 3:Traité des Excitants Modernes, Paris, Yves Rivière, 1989. €6,000 to €8,000.
  • Rare Book Hub is now mobile-friendly!
  • Swann
    Illustration Art
    December 4, 2025
    Swann, Dec. 4: William Wallace Denslow (1856-1915). Pen and ink illustration for the first edition of Frank Baum's The Wonderful Wizard of Oz (Chicago: George M. Hill, 1900), page 33. $60,000 to $80,000.
    Swann, Dec. 4: Jerry Pinkney (1939-2021). The Great Minu, African folk tale complete book, group of 15 illustrations. 1974. $12,000 to $16,000.
    Swann, Dec. 4: Charles Schulz (1922-2000). Peanuts, Snoopy's brother Spike Christmas Cactus illustration. 1989 $8,000 to $12,000..
    Swann
    Illustration Art
    December 4, 2025
    Swann, Dec. 4: James Montgomery Flagg (1877-1960). Dean Cornwell in his studio. Watercolor and pencil on board. 1920. $5,000 to $7,000.
    Swann, Dec. 4: Charles Samuel Addams (1912-1988). Study for "Movie Scream," 1947. $2,000 to $3,000.
    Swann, Dec. 4: Edmund Dulac (1882-1953). "Q was a quaint dainty queen." Watercolor and ink on paper. 1906. $6,000 to $9,000.
    Swann
    Illustration Art
    December 4, 2025
    Swann, Dec. 4: Albert Hirschfeld (1903-2003). Camelot. Pen and ink on board. 1960. $6,000 to $9,000.
    Swann, Dec. 4: Maurice Sendak (1928-2012). "Chicken Soup" sketch. Ink on paper. Circa 1962. $4,000 to $6,000.
    Swann, Dec. 4: Kay Nielsen (1886-1957). But Mary kept all these things, and pondered them in her heart. Pastel on board. Circa 1955. $5,000 to $7,000.
    Swann
    Illustration Art
    December 4, 2025
    Swann, Dec. 4: Julian De Miskey (1898-1976). Equestrian riding across 5th Avenue. Mixed media on board. Circa 1930. $4,000 to $6,000.
    Swann, Dec. 4: Walt Disney Studios. Pinocchio "When You Wish Upon A Star" Jiminy Cricket Courvoisier animation cel. Gouache on celluloid over airbrushed background on board. 1940. $2,000 to $2,500.
    Swann, Dec. 4: Arnold Lobel (1933-1987). "I will tell you a story while we are waiting," graphite on tracing paper. 1976. $1,500 to $2,000.
  • SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
    Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
    Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
    SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
    Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
    Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
    Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
    Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
  • Sotheby’s, Dec. 9: Pliny. Historia naturalis, the Macclesfield copy, printed on vellum, Rome: Sweynheym and Pannartz, 1470. $900,000 to $1,200,000.
    Sotheby’s, Dec. 9: Aristotle. The fine Doheny set of Aldo's editio princeps, Venice, 1495–1498. $400,000 to $600,000.
    Sotheby’s, Dec. 9: Euclid. The Norman copy of one of the most influential, enduring, and beautiful books in the history of science, Venice, 1482. $100,000 to $150,000.

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