Where you can find upcoming auctions, you can find up to the minute dealer catalogues
The Internet made it possible for auction houses to attract bids worldwide. With that ability, they invested in cataloging, photography and promotion, expecting they could encourage bidding interest. And they have. Auction sales in the collectible paper category reached $1.371 billion dollars last year. They have been extraordinarily successful.
The dealer model, composed of printed and eCatalogues, listing sites, and shows has also been effective to connect with their audience but has been losing market share to auctions. With our eCatalogues platform visible on our pages under News & Reports, it’s now easier for our sell-side members to post their catalogues, and for our 23,000 free and paid members to follow the increasing flow of offers. It’s important.
The market is mindful that auctions sell 80% of their lots within 20 days from first public posting to hammering down the last lot. For our non-auction sell-side members who use our eCatalogues they will now be limited to 50 days. With 50 days to work with, dealers and other sellers (collectors and institutions) are encouraged to be competitive enough to draw offers and commitments before their catalogue’s 50-day sundown.
In time I expect some dealers will post their outcomes to Transactions+. If we mutually agree, we can make them a searchable source. Their motivations will vary widely. A few will be clear and frank about their pricing experience, to help the field. Auction houses were once fearful too that transparency would damage them. It turned out that buyers wanted market derived pricing. Now they live in the fast lane. I have no doubt retail buyers will encourage dealers to do the same.
Our message simply is there’s room for dealer eCatalogues to transform their model. We will listen and adjust.
Buyers appreciate the dealers. They respect their experience. Give it a try. It’s the future.
ALDE, Dec. 3:Les Chants de Maldoror, Paris, Albert Skira, 1934. €30,000 to €40,000.
ALDE, Dec. 3:Braque le Patron, Paris, Fernand Mourlot, 1945. €8,000 to €10,000.
ALDE, Dec. 3:Le Soleil des eaux, Paris, Matarasso, 1949. €3,000 to €4,000.
ALDE, Dec. 3:Des Hirondelles et de quelques oiseaux connus, méconnus, ou inconnus décrits par le Comte de Buffon et Dado, Fontfroide, 1988. €3,000 to €4,000.
ALDE, Dec. 3:
ALDE, Dec. 3:Ne coupez pas mademoiselle ou les erreurs des P.T.T., Paris, Galerie Simon, 1921. €5,000 to €6,000.
ALDE, Dec. 3:Hommage à Pablo Picasso, Paris, s.n., 1966. €8,000 to €10,000.
ALDE, Dec. 3:Qu'est-ce que Thérèse ? C'est les maronniers en fleurs, Paris, Le Soleil Noir, 1974. €5,000 to €6,000.
ALDE, Dec. 3:Traité des Excitants Modernes, Paris, Yves Rivière, 1989. €6,000 to €8,000.
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Swann Illustration Art December 4, 2025
Swann, Dec. 4: William Wallace Denslow (1856-1915). Pen and ink illustration for the first edition of Frank Baum's The Wonderful Wizard of Oz (Chicago: George M. Hill, 1900), page 33. $60,000 to $80,000.
Swann, Dec. 4: Jerry Pinkney (1939-2021). The Great Minu, African folk tale complete book, group of 15 illustrations. 1974. $12,000 to $16,000.
Swann, Dec. 4: Charles Schulz (1922-2000). Peanuts, Snoopy's brother Spike Christmas Cactus illustration. 1989 $8,000 to $12,000..
Swann Illustration Art December 4, 2025
Swann, Dec. 4: James Montgomery Flagg (1877-1960). Dean Cornwell in his studio. Watercolor and pencil on board. 1920. $5,000 to $7,000.
Swann, Dec. 4: Charles Samuel Addams (1912-1988). Study for "Movie Scream," 1947. $2,000 to $3,000.
Swann, Dec. 4: Edmund Dulac (1882-1953). "Q was a quaint dainty queen." Watercolor and ink on paper. 1906. $6,000 to $9,000.
Swann Illustration Art December 4, 2025
Swann, Dec. 4: Albert Hirschfeld (1903-2003). Camelot. Pen and ink on board. 1960. $6,000 to $9,000.
Swann, Dec. 4: Maurice Sendak (1928-2012). "Chicken Soup" sketch. Ink on paper. Circa 1962. $4,000 to $6,000.
Swann, Dec. 4: Kay Nielsen (1886-1957). But Mary kept all these things, and pondered them in her heart. Pastel on board. Circa 1955. $5,000 to $7,000.
Swann Illustration Art December 4, 2025
Swann, Dec. 4: Julian De Miskey (1898-1976). Equestrian riding across 5th Avenue. Mixed media on board. Circa 1930. $4,000 to $6,000.
Swann, Dec. 4: Walt Disney Studios. Pinocchio "When You Wish Upon A Star" Jiminy Cricket Courvoisier animation cel. Gouache on celluloid over airbrushed background on board. 1940. $2,000 to $2,500.
Swann, Dec. 4: Arnold Lobel (1933-1987). "I will tell you a story while we are waiting," graphite on tracing paper. 1976. $1,500 to $2,000.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
Sotheby’s, Dec. 9: Pliny. Historia naturalis, the Macclesfield copy, printed on vellum, Rome: Sweynheym and Pannartz, 1470. $900,000 to $1,200,000.
Sotheby’s, Dec. 9: Aristotle. The fine Doheny set of Aldo's editio princeps, Venice, 1495–1498. $400,000 to $600,000.
Sotheby’s, Dec. 9: Euclid. The Norman copy of one of the most influential, enduring, and beautiful books in the history of science, Venice, 1482. $100,000 to $150,000.