• Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
    Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
    Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
    Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
    Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
    Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
    Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
    Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
    Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.
  • SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
    Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
    Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
    SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
    Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
    Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
    Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
    Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
  • Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
    Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
    Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
    Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
    Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
    Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
  • ALDE, Dec. 3: LAUTRÉAMONT (COMTE DE). Les Chants de Maldoror, Paris, Albert Skira, 1934. €30,000 to €40,000.
    ALDE, Dec. 3: PAULHAN (JEAN). Braque le Patron, Paris, Fernand Mourlot, 1945. €8,000 to €10,000.
    ALDE, Dec. 3: CHAR (RENÉ). Le Soleil des eaux, Paris, Matarasso, 1949. €3,000 to €4,000.
    ALDE, Dec. 3: BUFFON (COMTE DE). Des Hirondelles et de quelques oiseaux connus, méconnus, ou inconnus décrits par le Comte de Buffon et Dado, Fontfroide, 1988. €3,000 to €4,000.
    ALDE, Dec. 3: MAÎTRES DE L'AFFICHE (LES). Publication mensuelle contenant la reproduction des plus belles affiches illustrées des grands artistes, français et étrangers. Paris, 1896-1899. €10,000 to €12,000.
    ALDE, Dec. 3: JACOB (MAX). Ne coupez pas mademoiselle ou les erreurs des P.T.T., Paris, Galerie Simon, 1921. €5,000 to €6,000.
    ALDE, Dec. 3: RADIGUET (RAYMOND). Les Pélican, Paris, Galerie Simon, 1921. €4,000 to €5,000.
    ALDE, Dec. 3: KUPKA (FRANTIŠEK). Quatre histoires de blanc et noir, Paris, s.n., 1926. €15,000 to €20,000.
    ALDE, Dec. 3: BALZAC (HONORÉ DE). Le Chef-d'œuvre inconnu, Paris, Ambroise Vollard, 1931. €5,000 to €6,000.
    ALDE, Dec. 3: [PICASSO (PABLO)]. Hommage à Pablo Picasso, Paris, s.n., 1966. €8,000 to €10,000.
    ALDE, Dec. 3: PIERRE (JOSÉ). Qu'est-ce que Thérèse ? C'est les maronniers en fleurs, Paris, Le Soleil Noir, 1974. €5,000 to €6,000.
    ALDE, Dec. 3: BALZAC (HONORÉ DE). Traité des Excitants Modernes, Paris, Yves Rivière, 1989. €6,000 to €8,000.

Rare Book Monthly

Articles - December - 2025 Issue

Lost Kerouac Short Story Discovered in Deceased Mafia Boss' Artifacts

A lost, or unknown short story by Jack Kerouac was recently discovered among the artifacts of a Mafia crime boss who died 40 years ago. Too bad Kerouac isn't here to write this story as he could have done it better than anyone. The story comes in the form of a signed typescript Kerouac sent to a friend. He had a habit of doing this as he was as yet an unpublished great novelist who no one but close friends knew was great or even who he was. The date is April 15, 1957, five months before the publication of On The Road. The story's title is The Holy, Beat, and Crazy Next Thing.

 

The backstory is not entirely known. Kerouac gave the story to a San Francisco poet. The part about how the letter ended up in the collection of Mafia boss Paul Castellano is unknown. Castellano succeeded to the boss of the Gambino crime family when Carlo Gambino died in 1976. Gambino died of natural causes. Castellano was not so lucky. The Gambino family broke into factions as the choice of Castellano was not universally popular, but it was accepted as this was Gambino's wish. However, internal struggles continued within the crime family, which eventually led a subgroup headed by John Gotti to decide it was time to off Castellano. He was shot as he entered a restaurant for a supposed meeting. Gotti quickly replaced Castellano as boss. Gotti would die of natural causes in 2002, and remained boss until that time, but the last 10 years of his life were spent in prison. Live by the sword...

 

This still doesn't explain how the story became part of Castellano's collection. That is unknown, other than it remained with his artifacts for another 40 years after he suddenly passed away in 1985. It was finally put up for sale and the story was purchased by Your Own Museum. They in turn put it up for sale for $8,500 and it quickly sold.

 

As for the story, it is not a disappointing amateur piece in want of a lot of editing. Reading it quickly reveals his writing genius, what sets him apart from even very good writers. While a separate piece, it sounds like it could be a missing chapter from On the Road. The parties are the author, “Dean Moriarity,” and “Marylou,” all characters from On the Road. It begins, “We hit Denver with the gas gauge kissing empty and the Hudson coughing dust from a thousand desert miles. It was that wild, holy, and crazy time when Dean and I were inseparable, two halves of a lost and found coin, and Marylou was with us, a sad-eyed angel in a too-tight sweater. The money was gone, spent on gas and cheap wine and a wild night in a Tucson motel that ended with a fistfight and a sprint to the car. Now we are broke, the sky was the colour of a dirty nickel, and a mean mountain wind cut down Larimer Street.”

 

The story concludes with Dean comforting young Marylou who wonders what it is they are doing. Dean replies, “'We're living. That's all. We're just...living. And when you're living, you're digging everything there is to dig, because it's all part of the great, mad, glorious dream.' He put his arm around her, and she leaned into him, a brief tender moment in the long rush.”

 

The story concludes, “We drank until the wine was gone and the stars turned into one smeared light. We talked about everything and nothing, our words tumbling into the vast American night. We were together, on the road, broke and freehand for that one moment, on a nameless hill, under a billion stars, it was everything. It was enough. Then Dean jumped up, 'Okay! Now! Let’s go find Ray Johnson! He’ll be at the poolhall! The night is young!' And the moment was gone, shattered by the next frantic impulse, and we piled back into the car, roaring towards the next thing, always the next thing, the holy, beat, and crazy next thing.”

 

Kerouac was a master at painting a picture with words. An artist. Five months later, we got the whole road trip story and everyone came to know who Jack Kerouac was.

Rare Book Monthly

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  • Swann
    Illustration Art
    December 4, 2025
    Swann, Dec. 4: William Wallace Denslow (1856-1915). Pen and ink illustration for the first edition of Frank Baum's The Wonderful Wizard of Oz (Chicago: George M. Hill, 1900), page 33. $60,000 to $80,000.
    Swann, Dec. 4: Jerry Pinkney (1939-2021). The Great Minu, African folk tale complete book, group of 15 illustrations. 1974. $12,000 to $16,000.
    Swann, Dec. 4: Charles Schulz (1922-2000). Peanuts, Snoopy's brother Spike Christmas Cactus illustration. 1989 $8,000 to $12,000..
    Swann
    Illustration Art
    December 4, 2025
    Swann, Dec. 4: James Montgomery Flagg (1877-1960). Dean Cornwell in his studio. Watercolor and pencil on board. 1920. $5,000 to $7,000.
    Swann, Dec. 4: Charles Samuel Addams (1912-1988). Study for "Movie Scream," 1947. $2,000 to $3,000.
    Swann, Dec. 4: Edmund Dulac (1882-1953). "Q was a quaint dainty queen." Watercolor and ink on paper. 1906. $6,000 to $9,000.
    Swann
    Illustration Art
    December 4, 2025
    Swann, Dec. 4: Albert Hirschfeld (1903-2003). Camelot. Pen and ink on board. 1960. $6,000 to $9,000.
    Swann, Dec. 4: Maurice Sendak (1928-2012). "Chicken Soup" sketch. Ink on paper. Circa 1962. $4,000 to $6,000.
    Swann, Dec. 4: Kay Nielsen (1886-1957). But Mary kept all these things, and pondered them in her heart. Pastel on board. Circa 1955. $5,000 to $7,000.
    Swann
    Illustration Art
    December 4, 2025
    Swann, Dec. 4: Julian De Miskey (1898-1976). Equestrian riding across 5th Avenue. Mixed media on board. Circa 1930. $4,000 to $6,000.
    Swann, Dec. 4: Walt Disney Studios. Pinocchio "When You Wish Upon A Star" Jiminy Cricket Courvoisier animation cel. Gouache on celluloid over airbrushed background on board. 1940. $2,000 to $2,500.
    Swann, Dec. 4: Arnold Lobel (1933-1987). "I will tell you a story while we are waiting," graphite on tracing paper. 1976. $1,500 to $2,000.

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