Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
ALDE, Dec. 3: LAUTRÉAMONT (COMTE DE). Les Chants de Maldoror, Paris, Albert Skira, 1934. €30,000 to €40,000.
ALDE, Dec. 3: PAULHAN (JEAN). Braque le Patron, Paris, Fernand Mourlot, 1945. €8,000 to €10,000.
ALDE, Dec. 3: CHAR (RENÉ). Le Soleil des eaux, Paris, Matarasso, 1949. €3,000 to €4,000.
ALDE, Dec. 3: BUFFON (COMTE DE). Des Hirondelles et de quelques oiseaux connus, méconnus, ou inconnus décrits par le Comte de Buffon et Dado, Fontfroide, 1988. €3,000 to €4,000.
ALDE, Dec. 3: MAÎTRES DE L'AFFICHE (LES). Publication mensuelle contenant la reproduction des plus belles affiches illustrées des grands artistes, français et étrangers. Paris, 1896-1899. €10,000 to €12,000.
ALDE, Dec. 3: JACOB (MAX). Ne coupez pas mademoiselle ou les erreurs des P.T.T., Paris, Galerie Simon, 1921. €5,000 to €6,000.
ALDE, Dec. 3: RADIGUET (RAYMOND). Les Pélican, Paris, Galerie Simon, 1921. €4,000 to €5,000.
ALDE, Dec. 3: KUPKA (FRANTIŠEK). Quatre histoires de blanc et noir, Paris, s.n., 1926. €15,000 to €20,000.
ALDE, Dec. 3: BALZAC (HONORÉ DE). Le Chef-d'œuvre inconnu, Paris, Ambroise Vollard, 1931. €5,000 to €6,000.
ALDE, Dec. 3: [PICASSO (PABLO)]. Hommage à Pablo Picasso, Paris, s.n., 1966. €8,000 to €10,000.
ALDE, Dec. 3: PIERRE (JOSÉ). Qu'est-ce que Thérèse ? C'est les maronniers en fleurs, Paris, Le Soleil Noir, 1974. €5,000 to €6,000.
ALDE, Dec. 3: BALZAC (HONORÉ DE). Traité des Excitants Modernes, Paris, Yves Rivière, 1989. €6,000 to €8,000.
The book market has long bubbled along with the underlying economy. Rivers were our first highways, advances in transportation made it possible to bring food and fuel to support cities. With population concentration, universal education was needed to facilitate inventions and manufacturing advances. Step by step the printed word became the connective tissue to build societies. Books, which had been the property of the well to do, were now finding their place with the emerging green sprouts of what would become the middle class.
As both printing and papermaking became more efficient and less expensive in the mid-19th century, these advances made the emergence of the penny newspaper economically possible. Increasingly filled with advertisements that underwrote the cost of reporting, composition, printing and distribution, newspapers became one of the important sinews of literacy.
The printing model would be durable even as radios became standard fare in the 1930’s. In the late 1940’s, television entered the fray. Even so, newspapers held on as almost 90% of American households had at least one Motorola, Admiral or Dumont by 1960. It was that year America debated the impact of Nixon’s makeup man. They could think about it because they saw the debate on television.
With advent of the internet in the 1990’s newspapers entered a death spiral. News, over the past 400 years, had been selected, organized, and explained by those who worked within media. With the emergence of the internet, the observer could search for personally relevant data, giving them the capacity to aggregate facts that are particular to their interests or circumstance. As this became the norm, newspapers and other traditional media saw a loss of readership.
To protect their position, they have increasingly become interpreters of events and issues that their readers already acquired the facts through internet searches. Competitive with the media interpreters, analysts and commentators emerged to develop followings. Whether its sports, entertainment, politics or collectible paper, they have become silos where the interested live.
Those who have lived a long time, they know, remember and appreciate how newspapers captured their world. Those who are younger than 40 now rarely subscribe to receive printed copies.
As a site that follows the collectible paper field, we are left wondering how the future will look back at how we started our days, wanting and relying on paper copies that are one by one are now disappearing.
We grew up believing the future is better than the past. So far, I’ll say no, not yet.
Swann, Dec. 4: William Wallace Denslow (1856-1915). Pen and ink illustration for the first edition of Frank Baum's The Wonderful Wizard of Oz (Chicago: George M. Hill, 1900), page 33. $60,000 to $80,000.
Swann, Dec. 4: Jerry Pinkney (1939-2021). The Great Minu, African folk tale complete book, group of 15 illustrations. 1974. $12,000 to $16,000.
Swann, Dec. 4: Charles Schulz (1922-2000). Peanuts, Snoopy's brother Spike Christmas Cactus illustration. 1989 $8,000 to $12,000..
Swann Illustration Art December 4, 2025
Swann, Dec. 4: James Montgomery Flagg (1877-1960). Dean Cornwell in his studio. Watercolor and pencil on board. 1920. $5,000 to $7,000.
Swann, Dec. 4: Charles Samuel Addams (1912-1988). Study for "Movie Scream," 1947. $2,000 to $3,000.
Swann, Dec. 4: Edmund Dulac (1882-1953). "Q was a quaint dainty queen." Watercolor and ink on paper. 1906. $6,000 to $9,000.
Swann Illustration Art December 4, 2025
Swann, Dec. 4: Albert Hirschfeld (1903-2003). Camelot. Pen and ink on board. 1960. $6,000 to $9,000.
Swann, Dec. 4: Maurice Sendak (1928-2012). "Chicken Soup" sketch. Ink on paper. Circa 1962. $4,000 to $6,000.
Swann, Dec. 4: Kay Nielsen (1886-1957). But Mary kept all these things, and pondered them in her heart. Pastel on board. Circa 1955. $5,000 to $7,000.
Swann Illustration Art December 4, 2025
Swann, Dec. 4: Julian De Miskey (1898-1976). Equestrian riding across 5th Avenue. Mixed media on board. Circa 1930. $4,000 to $6,000.
Swann, Dec. 4: Walt Disney Studios. Pinocchio "When You Wish Upon A Star" Jiminy Cricket Courvoisier animation cel. Gouache on celluloid over airbrushed background on board. 1940. $2,000 to $2,500.
Swann, Dec. 4: Arnold Lobel (1933-1987). "I will tell you a story while we are waiting," graphite on tracing paper. 1976. $1,500 to $2,000.