There is a new interior design fad out there that pertains to books, but doesn't require you to go through the laborious procedure of reading them. It's called “book drenching,” and no, it doesn't require soaking your books in water and destroying them either. The books are the drencher, rather than the drenchee. Instead of the books being drenched, it involves books drenching your space. A better word than “drenching” surely could be applied. An alternative name sometimes used is - “library wrap.” That sounds sort of better.
Here is what book drenching is. It's a room with bookcases filled with books, all over the room. Ideally, they are floor-to-ceiling bookshelves, every shelf jammed full of books. The room itself should have bookcases covering every wall. If that doesn't show your undying love for literature, nothing will. This is the ultimate statement.
No particular order is required on the shelves. They don't have to be arranged by color as has been a fad. They don't have to match by size. They don't have to have the spines out or in. They can be mixed. They don't even have to rest on the tail or bottom of the book. They can lie flat, or be a mix. The purpose is not to show your sense of order. It's to display your love for books.
This is very different from arts of the book. In the book arts, each book is something special. Covers usually make an artistic statement. Not so for book drenching. There is no book individuality here. The books are meant to blend into a whole, perhaps ordered, perhaps disheveled as long as they're shelved. They live for the whole, not themselves, like an ant in an anthill, or a communist factory worker. They are each a dot in a halftone. The books are a tapestry. Alone, the books are nobody, but together they become a work of art.
If there is something in the practical world this resembled it would be the great libraries once owned by the Pierpont Morgans of the world. They were huge libraries but, at least to some extent, they were working libraries, not just a fashion accessory. Book drenching requires no particular appreciation for the individual books themselves, just a desire to create a work of art that implies you appreciate literature in general.
Not entirely understanding the concept, I turned to Form & Taste to better explain. They say, “Beyond the simple act of storage, the concept of 'book drenching' in interior design re-imagines the role of literature within our homes. It poses a question: what if a collection of books could be more than an accessory and instead become the primary finish of a room? This approach moves past the curated bookshelf, proposing an immersive experience where books function as a fundamental architectural surface, akin to paint, tile, or wallpaper.
“The idea is not merely to display books, but to use their collective mass to define a space. It is a visual and tactile strategy that leverages the inherent qualities of the book as an object—its color, texture, and form—to create a powerful aesthetic statement. This shift in perspective treats books not just as vessels of information but as modular building blocks for creating atmosphere.”
Continuing, “it is not about a few neatly arranged stacks or a well-ordered shelf; it is about scale and density. The objective is to achieve a critical mass where the books cease to be individual items and merge into a unified visual field.”
I'll admit I never thought of books as paint or wallpaper. I doubt that Gutenberg did either. There seems to be something missing, like what books are all about. It feels more like a new fad that is likely to have, so to speak, a limited shelf life. Not long ago, the thing was “bookshelf wealth.” This design burst onto the scene two years ago. Described as “artful clutter,” it featured bookshelves jammed with books, but also other things. Various trinkets and other objects are placed on the shelves. These are things that are supposed to have personal meaning to the owner, perhaps gifts or things collected on trips. And before this, there was color coding where people would buy books “by the foot” in one color so they could have a shelf full of red books, and maybe one of blue books too.
Missing from all of these is what is inside the books. Their historic purpose, that brought the world from the Dark Ages into the Renaissance, is missing. The printed word has become irrelevant. The knowledge is gone. It has become beauty without meaning.
Dominic Winter Auctioneers Printed Books, Maps & Wisdens, English Bibles 1500-1800 22nd July 2026
Dominic Winter, July 22: Lot 83 – Westall & Owen. Picturesque Tour of the River Thames, 1st edition, 1828. £2,000-3,000.
Dominic Winter, July 22: Lot 88 – Blume. Rumphia, Botanicae de plantis Indiae Orientalis, 1835-1848. £2,000-3,000.
Dominic Winter, July 22: Lot 101 – Michaux. Histoire des arbres forestiers de l'Amérique septentrionale, 1810-1812. £700-1,000.
Dominic Winter Auctioneers Printed Books, Maps & Wisdens, English Bibles 1500-1800 22nd July 2026
Dominic Winter, July 22: Lot 102 – Miller & Shaw. Cimelia Physica, 1796 [but c. 1816]. £3,000-5,000.
Dominic Winter, July 22: Lot 104 – Parkinson. Theatrum Botanicum: The Theater of Plants, London: Thomas Cotes, 1640. £800-1,200.
Dominic Winter, July 22: Lot 159 – Plancius. Orbis Terrarum..., double hemisphere map, 1594-99. £5,000-8,000.
Dominic Winter Auctioneers Printed Books, Maps & Wisdens, English Bibles 1500-1800 22nd July 2026
Dominic Winter, July 22: Lot 217 – Illuminated Medieval Manuscript. From a Breviary, 14th/15th c. £3,000-4,000.
Dominic Winter, July 22: Lot 224 – The newe Testament … By Wylliam Tyndall…, 1549. £3,000-5,000.
Dominic Winter, July 22: Lot 238 – Douay-Rheims Bible. 3 volumes, 1582/1609/1610. £7,000-10,000.
Dominic Winter Auctioneers Printed Books, Maps & Wisdens, English Bibles 1500-1800 22nd July 2026
Dominic Winter, July 22: Lot 336 – Ashendene Press. A Treatyse of Fysshynge with an Angle, 1903. £1,000-1,500.
Dominic Winter, July 22: Lot 393 – Sassoon. Memoirs of an Infantry Officer, signed limited edition, 1931. £800-1,200.
Dominic Winter, July 22: Lot 402 – Dylan Thomas. Twenty-Five Poems, 1st edition in d.j., 1936. £400-600.
Forum Auctions The 10th Anniversary Sale Fine Books, Manuscripts and Works on Paper July 16, 2026
Forum, July 16: Inundation papyrus. P.Michael 4, the ‘Inundation papyrus’, a geographical account of the Nile near Canopus, in Greek, remains of two columns from a manuscript scroll on papyrus, Egypt, second century CE. £12,000-18,000
Forum, July 16: Book of Hours, use of Sarum, manuscript on vellum, 6 full-page miniatures, with famous Middle English inscriptions, Southern Netherlands for the English market, [c.1430]. £30,000-50,000
Forum, July 16: Qu'ran, Arabic manuscript on burnished, stencilled, and gold-flecked paper, 447ff., Sultanate Gujarat, Ahmadabad, [after 1411 but no later than 1442]. £15,000-20,000
Forum Auctions The 10th Anniversary Sale Fine Books, Manuscripts and Works on Paper July 16, 2026
Forum, July 16: Turner (William). A New boke of the natures and properties of all wines that are commonly vsed here in England, rare first edition of the first English book on wine, By William Seres, 1568. £20,000-£30,000
Forum, July 16: Spenser (Edmund). The Faerie Queene. first edition, Printed [by John Wolfe] for William Ponsonbie, 1590. £30,000-40,000
Forum, July 16: Shakespeare (William). The Comedie of Errors, extracted from the first folio, Isaac Jaggard and Edward Blount, 1623. £15,000-20,000
Forum Auctions The 10th Anniversary Sale Fine Books, Manuscripts and Works on Paper July 16, 2026
Forum, July 16: Fleming (Ian). Casino Royale, first edition, signed presentation inscription from the author, 1953. £40,000-60,000
Forum, July 16: d'Agoty (Jacques-Fabien Gautier). Anatomie de la Tête, first edition, Paris, chez le Sieur Gautier, 1748. £10,000-15,000
Forum, July 16: Martial Arts.- Lee (Bruce). 'Praying Mantis style' Kung Fu book, containing numerous annotations, diagrams and graphs in Bruce Lee's hand, c. 1960. £50,000-70,000
Forum Auctions The 10th Anniversary Sale Fine Books, Manuscripts and Works on Paper July 16, 2026
Forum, July 16: Warre (Capt. Henry James). Sketches in North America and the Oregon Territory, first edition, rare hand-coloured issue, 1848. £30,000-40,000
Forum, July 16: Norie (John William). The Marine Atlas, or Seaman's Complete Pilot for all the principal places in the known world..., 1826. £30,000-50,000
Forum, July 16: Mao Tse-tung.- Kim Il-sung.-[Note book for visitors from China to Korea], signed by Mao and Kim, [Beijing, 1954]. £10,000-15,000
Case Auctions 2026 Summer Auction August 1st and 2nd
Case Antiques, Aug. 1: Timberlake, Henry: A DRAUGHT OF THE CHEROKEE COUNTRY on the West Side of the Twenty Four Mountains, Commonly Called "Over the Hills". $18,000 to $22,000.
Case Antiques, Aug. 1: Manuscript orderly book detailing day to day activities of multiple Virginia regiments in the Continental Army during the Revolutionary,1776-1777. $7,000 to $8,000.
Case Antiques, Aug. 1: Cormac McCarthy, The Orchard Keeper, Random House, New York, 1965. Signed 1st Edition. $3,800 to $4,200.
Case Auctions 2026 Summer Auction August 1st and 2nd
Case Antiques, Aug. 1: Battle of Kings Mountain Pamphlet by Isaac Shelby, April 1823, Signed. $1,800 to $2,200.
Case Antiques, Aug. 1: Large Tintype CSA Lt. Col. Thomas Coke Johnson, 19th GA, w/ Southern Cross, Book. $1,400 to $1,800.
Case Antiques, Aug. 1: Rare Civil War Ambrotype, 19th GA Infantry with Johnson Family of GA. $800 to $1,200.
Case Auctions 2026 Summer Auction August 1st and 2nd
Case Antiques, Aug. 1: A signed note written by Thomas Alva Edison to an unknown recipient, in which he shares his thoughts on Guglielmo Marconi, regarded as the inventor of the radio. $800 to $1,200.
Case Antiques, Aug. 1: Rare 1931 TN Grasslands Steeplechase Book, Gallatin. $800 to $1,000.
Case Antiques, Aug. 1: War of 1812 related Broadside, Petersburg Volunteers. $700 to $800.
Case Antiques, Aug. 1: 2 World War I Posters, “Our Colored Fighters” and “No Slacker”. $800 to $1,000.